Raymond Depardon Photography

In Strange and Familiar, the new exhibition curated by the British photographer Martin Parr, which opens at the Barbican next month, these two pivotal figures of 20th-century photography. Magnum.

This summer, Magnum is celebrating its 70th birthday and the release of Magnum Manifesto a book which follows the history of the agency’s iconic photography. Cover image: Raymond Depardon/Magnum.

From news to fashion and from advertising to historical record, as well as decorative portraiture, the MEP explores the foundations of contemporary photography through the works of 60 or so artists,

Organized by curator Clément Chéroux—formerly chief curator of photography at the Centre Pompidou. Cornell and Robert Capa, Chim, Raymond Depardon, Bieke Depoorter, Elliott Erwitt, Martine Franck,

This exhibition is a voyage to the heart of multidisciplinary artistic worlds: photography with Daido Moriyama and Raymond Depardon, painting with Chéri Samba, film with David Lynch and Beat Takeshi.

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Gabriele Basilico’s photographs focused on European cities as industrial. and including work by Josef Koudelka, René Burri, Raymond Depardon, Robert Frank and Fouad Elkoury. Basilico, who later.

There is a richness of fellow-feeling and lack of condescension in Raymond Depardon’s study of rural farmers. a little like Errol Morris – Modern Life is an extrapolation of still photography. The.

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Dispatched to Glasgow by the Sunday Times fifteen years later, the French photojournalist Raymond Depardon likewise found rain-drenched. Blacklisted, she was forced to give up photography.

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“I was studying still photography and the use of colour. As well as Cartier-Bresson, Supachai has drawn inspiration from Robert Doisneau, Willy Ronis and Raymond Depardon, all chiefly documentary.

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He is also a major collector and scholar of international photography, and it is both his exceptional. are the dramatic images of Glasgow taken by French photographer Raymond Depardon in the 1980s.

A timely photography exhibition examines what it means to be British. the bleakly cinematic images of Glasgow by Raymond Depardon and Richard Billingham’s hard-hitting series Ray’s A Laugh. The.

1994: Begins teaching photography to a group of working-class children. Kishore Parekh, Abbas, Don McCullin, Raymond Depardon, Marc Riboud, Mary Ellen Mark, David Burnett, and Marilyn Silverstone.

And they believed in photography as a forum for the righting of wrongs. Magnum’s one-world aesthetic endured. Lu Nan, Jean Gaumy and Raymond Depardon visited asylums on three continents to document.

America Great Again! includes some of modern and contemporary photography’s biggest beasts including Robert Frank, Raymond Depardon and Paul Graham, each of whom offer a foreigner’s perspective on.

When the International Center of Photography reopened last year in its new home. whose pictures of inmates in a Texas jail still shock, and Raymond Depardon, who portrayed patients in an Italian.

And they believed in photography as a forum for the righting of wrongs. Magnum’s one-world aesthetic endured. Lu Nan, Jean Gaumy and Raymond Depardon visited asylums on three continents to document.

Glasgow by Raymond Depardon, with a preface by William Boyd, is out now. Depardon produced more than 80 pictures of his time in Glasgow. They were later acclaimed by art critics and academics alike as.

12 € Skip the works exhibited in the main body of the church (photographs of France’s First World War memorials from the usually brilliant but here disappointing Raymond Depardon) and find your way to.

Photography curators have a bad habit of wrenching images. Henri Cartier-Bresson’s slyly comic sequence of royal ceremonies (from 1937 to 1977) and Raymond Depardon’s anguished yet beautiful scenes.